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Literary Theory - A Very Short Introduction

Literary Theory - A Very Short Introduction
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Many introductions to literary theory describe a series of ‘schools’ of
criticism. Theory is treated as a series of competing ‘approaches’, each
with its theoretical positions and commitments. But the theoretical
movements that introductions identify – such as structuralism,
deconstruction, feminism, psychoanalysis, Marxism, and new
historicism – have a lot in common. This is why people talk about
‘theory’ and not just about particular theories. To introduce theory, it is
better to discuss shared questions and claims than to survey theoretical
schools. It is preferable to discuss important debates that do not oppose
one ‘school’ to another but may mark salient divisions within
movements. Treating contemporary theory as a set of competing
approaches or methods of interpretation misses much of its interest and
force, which come from its broad challenge to common sense, and from
its explorations of how meaning is created and human identities take
shape. I have preferred to take up a series of topics, focusing on
important issues and debates about them and on what I think has been
learned.
Still, anyone reading an introductory book on literary theory has a
right to expect an explanation of terms such as structuralism and
deconstruction. I offer brief sketches of major critical schools or
movements in the Appendix, which can be read first or last or referred
to constantly. Enjoy!

1 What is Theory? 1
2 What is Literature and Does it Matter? 18
3 Literature and Cultural Studies 42
4 Language, Meaning, and Interpretation 55
5 Rhetoric, Poetics, and Poetry 69
6 Narrative 82
7 Performative Language 94
8 Identity, Identification, and the Subject 108
Appendix: Theoretical Schools and Movements 121
References 133
Further Reading 139
Index 145
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